July 29, 2008 – Synergy vs. Difference
Tuesday, July 29, 2008
This weekend I visited the Valley of the Ebro to attend a series of events commemorating the 70th anniversary of the start of the Battle of the Ebro. The battle itself was a brutal 115 day stalemate under the blazing summer sun that bled both armies of men and materiel and proved to be the death knell of the Republican forces. This weekend’s events, also under a blazing sun, consisted of three separate commemorations: On Saturday there was both a history congress and a re-enactment of the crossing of the river by republican forces in the town of Mora d’Ebre. That night, the not-so-nearby town of Fayon hosted a period costume verbena, and on Sunday a major battle re-enactment with uniformed re-enactors representing from every major force present in the actual battle except the CVT (Italian), Legion Kondor (German) and Morrocans. They even had cavalry!
Each group and each event, has its own goals. And each was, in its own right, successful. Indeed, the congress reported an attendance of over 600, there where decidedly well over 1000 people at the re-enactment in Fayon, and by all reports the re-enactment in Mora attracted a large crowd as well, including considerable media.
Perhaps it’s symptomatic of the push and pull of this moment in time and the absence of resources for movements such as these, or maybe an insidious byproduct of the partisan politics that dominate
everything in Spain, but for all of their individual successes the weekend’s events manifested a notable lack of synergy that makes me wonder what could be if these groups worked together. There was a virtually no cross advertising so that the only way to find out what was going on was by word of mouth, and apparently attempts at schedule coordination fell flat. Whether cause or effect, there was little mixing between the groups and events, and even a few negative attitudes.
Now I can certainly understand that just because someone is into re-enacting doesn’t mean they want to spend all day in a lecture hall listening to interpretations of history. Likewise, most academics probably don’t see the appeal of dressing up in period costume, even if it does serve an instructive “living history” function for the lay public. It’s just a matter of taste. Further, these events have different specific goals. But it seems to me that each of these activities plays an important role in a presumably common goal of reacquainting the general public with this important episode in history.
Interest in the Spanish Civil War has spawned myriad movements and affinity groups both within and outside of Spain. While their specific activities and goals may differ, their similarities are greater than their differences in most cases. It is my hope that as these movements mature, they will find ways to exploit their synergy to create a stronger movement and celebrate their differences for the richness they bring.
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James Mercé Edwards is an award-winning, Spanish-American filmmaker with over fourteen years of professional history shooting, writing, producing and directing media of all kinds on history, culture and society. His creations include immersive environments for The Smithsonian Museums, The National Park Service, The Oklahoma City Memorial and The Library of Congress and others; multi-lingual, current affairs programming for Public Television; investigative documentaries for international broadcasters; behind-the-scenes webisodes for National Public Radio, and much more. Prior to his career in media, James co-founded and served as a Director of the non-profit Empower Program, an organization dedicated to combating the culture of violence in our society.